RETNA painted Monument, a mural spanning the eastern façade of RH West Palm’s flagship gallery. Commissioned as part of the brand’s integration of art and architecture, the work anchors the 80,000-square-foot space in visual culture and urban scale.

As part of the Kennedy Center’s visual arts initiative, RETNA produced large-scale murals for public areas during its production of Aida. The commission brought his street-based aesthetic into one of the country’s major performing arts institutions.

For San Francisco Opera’s production of Aida, later restaged at the Kennedy Center, RETNA created a series of calligraphic designs that shaped the staging. His script echoed the opera’s central tension between love and duty, marking each scene with visual and emotional force.

RETNA designed the cover of Justin Bieber’s Purpose, combining his script with a staged photograph of the singer. Released in multiple colorways and teased on Instagram, the image extended RETNA’s crossover into music, fashion, and celebrity culture.

Helmut Lang’s West Hollywood boutique, designed by Standard Architecture, features RETNA’s silver graffiti on the display tables. The intervention introduces a graphic counterpoint to the space’s minimalist materials, including plaster, charcoaled wood, and natural light.

For its temporary storefront in Miami’s Design District, Louis Vuitton commissioned RETNA to create a mural—its first public-facing artwork of this kind. The piece reimagined the brand’s name in looping script, using colors drawn from the city’s buildings and light. The commission coincided with Art Basel and included a limited-edition scarf and three paintings for the VIP salon.

Chanel invited RETNA to transform the interior of its Beverly Hills flagship store with his script, rendered in black on black. Painted directly on the boutique’s walls, the work introduced his contemporary glyphs into a couture environment.

The Hallelujah World Tour marked RETNA’s first solo exhibition in New York. Sponsored by VistaJet, the show brought together painting, sculpture, and photography, highlighting his layered visual language. As part of the partnership, RETNA also painted a custom work on the tail of a VistaJet Global Express XRS.